Artistic Raw has always been one of my favorite producers. He releases a lot of creative bootlegs and I appreciate his take on music, so after he hit 20,000 followers on Twitter he gave us a free track. You can download it via Soundcloud or his Facebook! Check it out.
Monday, March 18, 2013
Rihanna "Pour It Up" (Chew Fu Refix) Soundcloud
Chew-Fu is back! ;) He is hitting us with his remix for Rihanna "Pour It Up" its a very interesting remix with that signature Chew-Fu thickness I love so much! Its not downloadable yet but enjoy this SoundCloud link and maybe he will share it with us soon!
Friday, March 8, 2013
Afrojack & Diplo heat up the.. Indy 500???
What an odd pairing indeed, it seems that EDM sellout producer Afrojack and the very talented Diplo have been booked to play at the Indianapolis 500. I had to read that twice myself, just to be sure. The word EDM has started to really annoy me, because the umbrella effect leaves the door open to question exactly what an EDM act is. If you would have asked me 4 years if Afrojack is an EDM producer, I would have said HELL YEA without question. Now he seems more like a pop artist to me, a pop artist creating dance music strictly for pop radio. Diplo on the other hand, even after crossing over has held onto what made him so unique, a fearless attitude when it comes to production. He isnt afraid to take risks and still creates incredible tracks for the dance music audience. Once Afrojack got big, he sort of just left the dance word behind for expensive cars, private jets and no changes to his sound. However, I dont want to turn this into a "lets bash Afrojack" post, I still think he is talented, I still think he could bring us decent music, I just dont think he wants to. I wont knock his hustle but damn, I miss the genuine guy that did amazing bootlegs and crazy sets. So would you go to the Indy 500 just to see these guys? Thats the question at the end of the day.
R3hab & David Solano "Do It" SOUNDCLOUD TEASER
Its no big secret I used to LOVE LOVE LOVE R3hab, he could do no wrong in my eyes, then things changed. In late 2011 he started mass producing music, getting so large that every label wanted to use him on their hit records. Suddenly everything he did started sound the same, the signature chainsaw sound was his undoing, for me. This however made him widely popular at one location in particular, Las Vegas. He was part of the Vegas EDM landscape for the entirety of 2012 and still holds residencies there now. He just released a track with David Solano which has been a marriage made in EDM heaven for me. This is just the kind of diverse pairing R3hab needed to spark my interest. Here is a preview of "Do It (Life In Color Anthem 2013)" which has a BEAUTIFUL build up that we werent getting from R3hab as of late. Check it out and let me know what you think!
Wednesday, March 6, 2013
Lady Bee - Sweet Like Chocolate/Murda Dem - YOUTUBE
So I have really started to lose interest in the Dutch house movement as most of it started to sound the same, it became stale and boring (in my opinion). That entire portion of dance music started out with so much diversity, lots of great bootlegs and inspired so much influence into pop music. The big hits we got from Flo-Rida, Pitbull, Jennifer Lopez, Rihanna etc.. most of that was grounded in Dutch house. Afrojack, Sidney Samson & Chuckie were the big movers and shakers with the iconic Dutch house sound. So I am a little taken back by a unique take on Dutch house with a DJ/producer from Amsterdam named Lady Bee. Here are 2 tracks she is giving us one called "Sweet Like Chocolate" which is a huge nod to the sound that made Afrojack so big, lots of hard drums and catchy reverb synth riffs. The second track "Murda Dem" slows down Dutch house and gives us some Moombahton, which really is just slowed down Dutch house LOL (oh well). I am more of a fan of the first track, as the second doesnt offer up much in the world of innovative Moombahton. Both tracks are solid and I have a feeling if she keeps upping her game we might just hear a lot more from her in 2013.
The Salsoul Orchestra - Love Break (Stephan Luke Remix) YOUTUBE
So I love me some deep house, I love the throwback vibe and a little nod to something we all remember. The Salsoul Orchestra "Love Break" got a remix treatment from Stephan Luke and its got all the elements of a nice fun nu-disco deep house track.You might notice that a certain diva named Madonna sampled a horn segment from this track for the song "Vogue". So what do you think? Hot or not?
Tuesday, March 5, 2013
Swedish House Mafia - Dont You Worry Child (Peter Rauhofer Mix) FREE DOWNLOAD!
Sup sup guys & gals! Back to blogging now and bringing you guys some tunes! ;D
Peter Rauhofer has been one of the best dance music producers in the last 20 years (in my opinion, oh and many others LOL). He takes breaks then comes back in a big storm and 2012 was a big storm in terms of him releasing a lot of content. Most recently he released his remix of "Don't You Worry Child" by Swedish House Mafia. I won't say I disliked the original but it clearly wasn't designed for the clubs. So Peter took it and turned it into a certified club hit, here are both the mix & the dub for you guys who prefer instrumentals. He is offering them as free downloads for a limited time, so snag it and thank me later for finding the best big room version of this track LOL
Peter Rauhofer has been one of the best dance music producers in the last 20 years (in my opinion, oh and many others LOL). He takes breaks then comes back in a big storm and 2012 was a big storm in terms of him releasing a lot of content. Most recently he released his remix of "Don't You Worry Child" by Swedish House Mafia. I won't say I disliked the original but it clearly wasn't designed for the clubs. So Peter took it and turned it into a certified club hit, here are both the mix & the dub for you guys who prefer instrumentals. He is offering them as free downloads for a limited time, so snag it and thank me later for finding the best big room version of this track LOL
Friday, March 1, 2013
Azealia Banks - Riding Deep House To The Bank
Not sure how you guys feel about Azealia Banks but I need to voice my opinion about something. Hip Hop has always been a genre of sampling and borrowing of other musical styles to create new songs. What I cannot stand is when someone raps over an already existing track then takes credit for its conception as if the song had been changed or manipulated musically. On Azealia Banks EP "1991" she has 4 tracks, "1991" , "Van Vogue", "212" & "Liquorice". I hadnt listened to anything on the EP except the most famous track "212" which I really enjoyed. I found out that the track was pretty much "Float My Boat" by Lazy Jay, I went back and listened to it and guess what, it WAS. It was her rapping over the existing song. I did a little research and found out every song on that EP was just an existing house track that she raps over. I hold no grudges when an artist wants to collaborate or use another track etc but she is listed as the only artist on those songs. Each one of those songs should be those artists featuring her, as those tracks were not produced for her songs but she later used them on her EP. Below I will list each video and the tracks she used and you can see what I am saying. I am not questioning her talent or comparing the songs on which is better, I am simply stating as I have said in the past credit and billing should be done correctly, and to me taking an existing song that was already released and rapping over it giving no actual billing to the original producers is shady. I dont know what kind of business deal went on behind the scenes but from the outside looking in, its wrong. She even took credit for the dog barking samples on one of the songs when the sample was in the track long before she ever rapped over it. sidenote - Seems that Lazy Jay was given credit in one place, on the video.. funny thing is youtube shows that his track is the one on the video not hers LOL
Below are the videos with her and in their original forms... what do you think?
Below are the videos with her and in their original forms... what do you think?
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